Notes Abstract This essay surveys the development and current state of electronic literature, from the popularity of hypertext fiction in the 's to the present, focusing primarily on hypertext fiction, network fiction, interactive fiction, locative narratives, installation pieces, "codework," generative art and the Flash poem. It also discusses the central critical issues raised by electronic literature, pointing out that there is significant overlap with the print tradition. At the same time, the essay argues that the practices, texts, procedures, and processual nature of electronic literature require new critical models and new ways of playing and interpreting the works. Because this essay is the first systematic attempt to survey and summarize the fast-changing field of electronic literature, artists, designers, writers, critics, and other stakeholders may find it useful as an overview, with emphasis on recent creative and critical works.
Thanx to Stalin, Anon. Nietzsche, Hank Purcell Jr. Chicago May Day ' Such a spectacle ought to offend nearly everyone. Paste up in public places a xerox flyer, photo of a beautiful twelve-year-old boy, naked and masturbating, clearly titled: Follow the same general procedure as outlined in Section 5 below, but utilize an aesthetic of good fortune, bliss or love, as appropriate.
A technique adapted from Malaysian sorcerers: This yantra or veve invokes the Black Djinn, the Self's dark shadow. Full details obtainable from the A.
The night before these letters arrive, wheatpaste the institutional premises with xerox copies of the Black Djinn's emblem, where they will be seen by all employees arriving for work next morning.
Were the Kallikaks onto something good? We'll find out somewhere boys dream that extraterrestrials will come to rescue them from their families, perhaps vaporizing the parents with some alien ray in the process.
The suchness of things when unchained from the Law, each molecule an orchid, each atom a pearl to the attentive consciousness--this is our cult.
Supposedly initiation to the inner circle required the neophyte Moor to assassinate at least one cop. Was he a precursor of Ontological Anarchism? But the man dynamited himself aged 22 to cheat the gallows Slicing off heads gains us nothing, but only enhances the beast's power till it swallows us.
When the last cop in our brain is gunned down by the last unfulfilled desire-- perhaps even the landscape around us will begin to change But as Shiite Extremists eager for the overthrow by any means of all police, ayatollahs, bankers, executioners, priests, etc.
What does it mean that we have invented a way to destroy all life on Earth? We have dreamed this as an escape from the contemplation of our own individual deaths. We have made an emblem to serve as the mirror-image of a discarded immortality.
Like demented dictators we swoon at the thought of taking it all down with us into the Abyss.
The "normative" past or the future heat-death of the universe mean as little to us as last year's GNP or the withering away of the State. All Ideal pasts, all futures which have not yet come to pass, simply obstruct our consciousness of total vivid presence. Certain sects believe that the world or "a" world has already come to an end.
For Jehovah's Witnesses it happened in yes folks, we are living in the Book of Revelations now. For certain oriental occultists, it occurred during the Major Conjunction of the Planets in Hassan II of Alamut proclaimed the Great Resurrection, the immanentization of the eschaton, paradise on earth.
Profane time came to an end somewhere in the late Middle Ages. Since then we've been living angelic time--only most of us don't know it.Langston Hughes was first recognized as an important literary figure during the s, a period known as the "Harlem Renaissance" because of the number of emerging black writers.
Dear Twitpic Community - thank you for all the wonderful photos you have taken over the years. We have now placed Twitpic in an archived state.
Of the silent trilogy, Earth () is Dovzhenko’s most accessible film but, perhaps for these same reasons, most misunderstood. In a Brussels’ film jury would vote Earth as one of the great films of all time.
Earth marks a threshold in Dovzhenko’s career emblematic of a turning point in the Ukrainian cultural and political avant-garde - the end of one period and transition to another.
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